Stellan Skarsgård has revealed a film pageant about a collaboration with Karlovy's Ingmar Bergman.
“My complex relationship with Bergman has to do with him not being a really good guy. He is a pleasant director, but you can still condemn a man asshole. Caravaggio is probably a asshole, but he does a great job, but he does a great job,” the Swedish actor said.
“Bergman was manipulative. He was a Nazi during the fight, and a specific person I knew cried when Hitler passed away. We stored his excuses, but I had a feeling that he had a very strange view of different people. [He thought] Some people are not worth it. You feel when he manipulates others. He is not good. ”
Skarsgård, in the town of current “sensual value” and decided on the Crystal Globe award in beauty pageant, also mentioned Joachim Trier's latest film.
“I've seen him actually see the actors he's struggling with. He turns out to be an extra expert in every movie, and the romp is very rewarding.”
In “Value of Sensibility”, the two sisters are reunited with Gustav, an estranged father who was once a definite director. He offers one of them a task in his comeback movie.
“It could be a director who is not a good father. I started thinking about different administrators I knew and thought: 'Don't go there – you shouldn't. Think of your self as a replacement.' I'm an artist, and usually I'm an excellent father, usually not very good.
Since then, it has been awarded the Cannes Grand Prix, an Oscar contender.
“I do know this business; I know how short that fucking reputation is. But it's pleasant to be shocked by your self. I was stunned by me – I was happy. It's pleasant. I was useless very quickly, so I've dealt with the possible remaining moments,” Scarlsgard said. ”
Throughout the masterclass, he recalls the greatest movies of his career. In addition to the humble but happy starting point, it also includes the role of Juliette Binoche in “The Light Easiness of Existence”, where she performed the long-standing Philandering Tomas (Daniel Day-Lewis).
However, it was Lars von Trier's “Breaking the Waves” that actually brought him onto the map: a painful drama where several ladies start prostitutes after their husbands are paralyzed. Helena Bonham Carter is considered halfway through Emily Watson's performance.
“I've seen the first movie of Lars and they're usually cold. They didn't contact me. He watched it himself, which is why he did the whole dogmatic factor. He took his personal instrument. I learned it and went, 'Oh, fuck, the end is a love story that I can connect with.' It's about the nature of feelings.
“Lars was too shy. He mentioned: 'I don't like physical contact', and I actually hugged him. Then I let him go and he became a routine again. She refused, she didn't want to show up with the strange Danes she didn't know, the Swedish actor she didn't know, I didn't know her.
Later he reunited with Trier on “Dancers in the Dark”, including Björk as a manufacturing plant employee affected by degenerative eye conditions. She famously fell with the director.
“I used to be very busy, and I might only play a small role, but Lars had some problems. He wasn't with Bjork, she or he wasn't with him. They used to be two management freaks, and used to get what they needed. Once I finally got here, the producers simply started crying. I knew one thing wasn't right,” he mentioned.
“I don't think they hate each other – he doesn't hate her, no less than her. But there is no doubt that they are not with her.”
Together with his son Alexander, he adopted “Dogville” and “Melancholy”.
He mentioned the clans they showed up, and he mentioned, “When he was 7 years old, I had worked with him, with my son Gustav. Personally, we need one thing together – right, introduce me to one thing! They don't provide you with something good except for advertising and marketing concepts.”
“Depression” was overshadowed by the Cannes press conference, which was very unsuitable for Von Trier, who had been a French American Pickup for some time Character non grata.
Everyone in that room knew he wasn't a Nazi, he was the other, but everyone used it as a headline. After that, only those who studied headlines thought he was a Nazi. He just suggested a nasty joke. Lars grew up with his Jewish father. Lars grew up with a Jewish father, and when his mother died, she was not his actual father, he was not his actual father. This is her boss.
“Once I met people, especially in the United States, they still [ask about it]. You have a lot of forbidden phrases out there. My young people can say whatever phrase they need – it depends on their intentions. ”
He praised Von Trier for his female role in the controversial “nymph.”
“He's not a misogynist. It's actually about him – he's a female character.”
He added: “I really like this guy, I really like the job, and that doesn't mean I agree with everything he does. You don't agree with everything your spouse does. [Before ‘Nymphomaniac’] He was called me and said, “My later movies could be porn. I went, 'Okay, Russ.” He added, “I hope you play the lead, but we didn't get your dick until the last second. And it could be soft.'”
Skarsgård started his career as a toddler star in the style of “Bombi Bott Och Jag”: “Like a Swedish Huckleberry Finn, a few wild kids live freely. My young brother sent his purpose to him and my purpose, and I was like me, and I felt angry.
Over time, he has been working on Spielberg's “Amistad” and “Insomnia” and later remakes by Christopher Nolan. “Pirates of the Caribbean” – “Gore verbinski dumped a bucket of water at me, and he loved it” and adopted a Marvel movie. Except “Mom Mia!”
He smiled and said, “We used to be one-third of men, we used to be bimbos. There is no background, nothing. We are cute and stupid. I finally understood what they mean after discussing the ladies' regular expertise.”
He also performed the villain Baron Hakenen of the End of the Times.
“It's important to know which movie you might be involved in, and what you want. The Hollywood image is where you play unhealthy guys? Usually, everything you need to do is just unhealthy, like in “Dune.” Recently, he's been seen in “Anto” at Disney+.
“Luckily, I didn’t have a stroke before that giant monologue,” he died, referring to his well-being. He mentioned: “I haven't fully recovered, and it's horrible: I don't keep my pressure in mind, I have a job seeker in my ears.”
Still, his achievements are not fair.
“Nevertheless, I want to try one thing [in the future]? really. But I don't know anything. ”
