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Spoiler Alert: This story accommodates spoilers for “Sports Are Feet” Season 2, Episode 1Poker face,” now streaming on Peacock.

“Poker Face” writer Laura Deeley came here with the concept here, including an identical quintet for the plot of the Wardinette sequence, which creator and director Rian Johnson thinks is “of all the best approaches, it's crazy.” But he hopes to provide a shot for it.

Johnson doesn't need to drag it away with something weird. He hopes to dig out the look of the “poker face” and retain the classic aesthetic that was built in Season 1 – however, he hopes to trick him with an old-fashioned digital camera when shooting here. “For me, that means making sure we're going to make every ounce of 'doc'?' On a door like a French farce, instead, approaching missed, pretending to be completely different people.”

Plus, every shot of Johnson’s storyboard needs to be planned in depth. “I need to think about it, and I used to be in the boarding, not just visually, but how to inform this story,” he said. “But, in addition, which characters will be in it, which cameras may be set up in the same time and stay there at the same time to be able to get that factor.” Johnson has not only storyboards, he has maps. “I numbered all angles. I'll say, 'Okay, we'll do the angles with her one-by-one of her angles, and then we'll start the digital camera twice and three from the digital camera, and we'll knock those two out.”

However, the importance of canceling the episode doesn't simply boil down to the workforce of the craftsman, it finally arrives at Cynthia Erivo, the “Degenerate” Oscar candidate who executes all 5 characters. “She's the reason we have the ability to shoot this episode in 10 days,” Johnson said.

The Season 2 premiere begins with Charlie Cale (Natasha Lyonne), starting again in a run of Beatrix Hasp (Rhea Perlman), but she soon has another thriller to tear down. Jasmine Man performs Norma, her dying family patriarch, while Amber (Erivo) is an aspiring artist who spent her first few years working to care for a sick mom. When Amber learns that she has been scrapped from need, she continues to search for steel artist Felicity Worth, a girl living on a grid, but is about to inherit all the little things. Because it seems that Felicity is a long-lost “secret” sister. Amber color of the place where Felicity and Commerce were killed with her. When Norma died, the family gathered, and Delia, the apple picker (working with Charlie),; Cece, professor and Bebe, DJ, all resided on the home property. With Delia, Charlie's suspicion has been raised, as much as Faux Amber and her sisters fight crime on inheritance.

Erivo said she knew she wanted every character to feel very unique and that hair and costumes were integral to her role. “I hope you can see the same face, but the experiences in life are completely different,” Erivo said. “Because I believe it adds comedy, it provides how you feel about every girl.”

She attributes to what Johnson trusts her to do. Together with CECE, Erivo added French components to the way the character speaks. “There is no French in the script – it’s me, including these moments, she really feels like she’s been French for a long time.” Erivo, along with Delia, hopes that the audience “loved her with her – I really feel like she’s trying to live a good life and be able to gain trustworthy abilities.”

Every sibling's hair informs the narrative. “Bebe is an avid kid who discovered her DJ strategy – one thing I hope feels like an old-fashioned orgy tradition,” Erivo said. “So we were full of fear, dyes and bleaches, and there were colors throughout the process, so she felt like she was a real 90s, stepping on a fanatical kid. Cee desperately tried to be as stylish as possible, Debonair. It was totally good, no time.

Delia's hair was straight and slim. “It's trying to be very uniform, and Bob isn't too much maintenance,” Erivo said. As for the amber, “She's got all this hair, but it's wild, on the market. It's big and impossible. She's everywhere.” She said, “She's trying to make sure it, but it's not fair, but it's not fair.”

New York is mainly hairstylist Mia Neal, who has three days to create a wig together. Neil never met Erivo, and she had no mannequin on her head. “I don’t have her measurements,” Neil said. Initially, Neil refused to work because she couldn’t perform all the trivial matters in a timely manner and she or he had no hair to make wigs. However, the studio is ready to step in to make sure Neil will get all the hair she wants in time. “I built a full wig and made all the fronts for the opposite wig, and I let the individual build the wig again,” Neil said. “So, essentially the most boring.” Neil met Erivo with Erivo for the final accessories, and in addition, making sure each look was different – starting from straight hair to DJ with lengthy Locs.

Since Erivo enjoys all the roles, Neal doesn't need to shorten manufacturing, so she doesn't stick something to it. “It's crucial that the laces and wigs match the perfection of the past. I use these prosthetics to have the ability to fix the wigs and lace on her head.” Erivo's shaved head also helps with shaved heads between characters, as there is no hair that wants to be hidden or hidden, while the prosthetics and fixed bands reduce hair and makeup time.

Costume designer Leah Katznelson turns to scripts to crack different emergences. There was a notice that Felicity hanged the same jumpsuit in her airflow, so Katznelson accepted that and tried to search for a time interval that might match the current classic high quality. Ultimately, the jumpsuit is modern, but enhances the classic quality, Kaznelson said. Once satisfied, the multiples she has are exaggerated.

Cece is another discovered by Katznelson in the script that describes her as a “professor of French literature.” The fashion designer logged in to a three-piece tweed swimsuit. “The excessive neck is changing her proportions so that it will visually help change her face and then scales like this,” Kaznelson said. “But it's definitely about having a romantic model. It's a lady who teaches classics, she or he likes to be impressed by that universe.”

Footwear is another important factor Katznelson considers, especially because it will change the way someone moves by area and stands in their posture. She gave Seth the heels, which she described as “a female model in Oxford shoes.”

As for Bebe, Katznelson doesn't need a DJ character to be truly outdated, and she or he looks inspired by images. “I checked the FKA twig and her look. This became more and more, becoming a spark of procrastination of member live and modern music.”

Once a group appears, blockade and filming will come here. Photographer Jaron Peasante uses rehearsal time to determine his photos, which can be used to break the screen or doubles using the location. “For every function she performs, we have a double, plus knowing all the pressure, usually there are wigs and wardrobes that match,” Peasante said. “She might face anyone else she might react. Cynthia would walk through the room and go into the following position, then cross the room to the following position.”

Even for the right edit, editing Bob Ducsay uses old-time strategies. “The main time of amber meets Felicity, with a lot of amber in the body and then a lot of wildness in the body,” Duke said. By having many pictures, he has the ability to make decisions and work with Erivo's efficiency “as I hope.”

The battle sequence with Amber (she tried to kill Felicity again) is easy to piece together, and Ducsay uses a number of strategies. “Once the bottom scrolls, there are facial alternatives, which is essentially the best factor we've done. Also, we're using a traditional split screen that only executes in digital camera panning, while the operators strictly replicate the speed so that we can piece together two issues.”

When the siblings appear together again, Ducsay explains that the scenes are difficult to edit. “We all know we're going to split everyone up. The extras you try this, and those characters you just carry collectively in the same scene, it turns into an extra difficulty.”

Through tipping, Charlie collectively puts the issue first and realizes that Felicity isn't actually what she calls her. She discovered a strategy because Felicity’s feet have prosthetics that can expose amber by placing pointed objects on the feet.

“That boot wants to do a lot of problems,” Kaznelson said. It wants to have too much heels and thin enough leather to make Charlie pierce part of the shoe. “It also wants to have a punk-line and hopes for a workforce with specific results to squirt blood in various places,” Kaznelson said. Eventually, she purchased 10 pairs of coaches for the scene.

As for the place where “Poker Face” pretends to be amber, trying to hide her pain, editor Ducsay is happy about it. “You need to bring up the second inning as much as you can,” he said. “She tried to artificially do not mean that her pain was incredible. We had such good materials from Cynthia and Natasha after all, and once it was put together, it was beautiful.”

That scene requires Erivo to dip into completely different characters, each requiring fancy dresses, makeup and hair to change with it. “We'll find you shoot each character almost twice, but you've executed 4 characters instead of starting again,” Erivo said. “It's exciting.”

Erivo doubts whether she can do everything successfully and convincingly. “They are all doing all kinds of things, they usually transfer in multiple ways, they usually have completely different behaviors, they usually sit in different ways, they usually move in different ways, they usually communicate in different ways, and they usually have several types of voices,” Erivo said. “It’s about remembering every time you get stuck in the following characters, what they, what they sound like, what they pass, what they look like, what they look like, all of which are completely burning inside.”

“It was so enjoyable to do this,” Erivo said. “And it’s fun to bend these muscle tissue.”