Mark Gatiss, along with his new incumbent, is not bored with the development of ways to kill people. “Holmes himself mentioned, 'Nothing new under the solar energy.'
Homicide thriller (he is currently stopping the temptation to buy the prop newspaper used in the 1974 film Oriental Classification Homicide), Gettis was impressed and thanked Agatha Christie for his work. “She came across every risk of someone who could perform, and then she or he bought it there first, bothering her,” he said. “That's what you're always looking for – a new way to shock people.” He also realized that “the audience is a college student of the style,” which made it even more difficult. That's why while making “Sherlock,” there was someone mentioning that the killer was “always the main character you met twice.” Gettys researched again and realized that it was right. “So, in the second season, I deliberately modified the script to verify that this is not true.”
Gatiss appears on the highly anticipated brand, an effort toward a new variant of the beloved style. Characters are key, and new variations can be found on the beloved style. In the case of “Books” which premiered on U&Alibi on July 16 and premiered on PBS within the United States, he set up the collection in 1946 in London, a critical period after World War II. Gatiss performs Gabriel eBook, a gay marriage of a gay man (a pleasant Polly Walker), and homosexuality is illegal. E-books run a home bookstore, but there is also a good idea to help police clear crime. “It includes a gay protagonist in a spaced environment that can make you unique aspects of society and time,” he said of the collection he created with Matthew Candy. “It's spaced, but it's certainly very unabridged. It's a time when there's a lot of effervescent under the floor.”
In his work, Getis always managed to be the eternal and forward of his time. This is one of many reasons why “Sherlock” is so effective in updating his Victorian character to a modern environment. He is also in the fantasy world of “Entertainment of Power” and the sci-fi world of “Doctors” and in the interval project (he was nominated for the Olivier Award for three, with Shakespeare's “Coriolanus, Alan Bennett's “Alan Bennett's “The Charming King Richard III” and played twice as the ruler of John Gielgud.
So while the “book” can also be set in past periods, it is not all quaint. Although he didn't like the story of that period was exaggerated. “I get it because I like to evoke the results of nostalgia, but I think the time period also means it will definitely be easy,” he said. “And it doesn't have to be simply wallpaper; it may have teeth. All kinds of crimes stem from despair and disappointment.” He quoted Christie again, who was the populist most importantly. “But she is really very sharp, with some scorching social comments, more than people give credit scores.”
Although he realizes that the mystery of the homicide surges in recognition, he is also cautious about the severity of the severity – he uses the period of time “the romance of crime” which is not coincidentally the title of the novel “Doctor Who” . Although he appreciates the appeal of “a bottle of poison and a stiff collar”, he is also aware of the tragedy. In studying the script about the cruel assassin Neville Heath (from London, 1946), he was able to go to the Scottish Courtyard Crime Museum A.Okay.A. The Black Museum is named as the Darkest Environment. If he had a strong belly, the curator asked him to enter the entrance instead of creating a series of crime pictures. “Immediately, there is no romance in crime,” Gettis recalled. “Even after 75 years, it's simply bleak. And I used to be very aware of how we can be out of the duality of video games in the delightful and living room, but there is pain and struggle.” Although the expertise “didn't heal me” love for this style, he knew as a “nerd” and he also wanted to see the effects of these crimes.
However, suggesting that “books” is any method can be a detriment. Despite everything, Gatiss wrote and performed with a reputation as a “Gentlemen's League”, a (recognized dark) comedy troupe, Monty Python and Hammer Horror. And “books” are not a moment without laughter. “It is usually thought that this interval is a bit frustrated due to changes in the world. However, it is full of optimism,” he said. “And my believers are that individuals who come through trauma can really take the opposite approach. I think e-books have a relaxed angle because he sees some very unhealthy issues.”
So, although he doesn't cut short from the character's melancholy, he celebrates his pleasure. This saves Gatiss from enjoying any “actor” and just having fun at work. “If you like serial killers or analyzing Daniel Day-Lewis, I would think you’ll carry it with you,” he said. “At the end of the day, it’s in costume, and enjoyable.”
“Books” can be filled with fascinating forgery, with Connor Finch playing Jack, the current parole e-book hiring shops working inside the store, revealing that they have private connections. Don't point out a cute dog stealing. Gatiss shares a dynamic chemistry with Walker that he will show a pleasant aspect of himself compared to his early roles. “She was determined to be a little durable in an exhibition like 'Bridgerton' and she or he was great,” Gettys said. “But she was moved and we thought she had a sunny half.”
“Bookish” is already working on its second season, a huge vote of confidence ahead of its July 16 premiere. It was a busy month as the actor balanced his small exhibition screen work with a pair of large franchise films as he continued to use Hollywood customs to use good British actors for his or her authorization and charm to make a sensation. Apart from the already launched “Impossible Mission – Final Estimation”, Gettis appears to be released on July 25 in “Incredible 4: The First Step”. He can't tell the over-representation of his position in the 1960s and sixties discusses the presenter now, not just because he fears miracles, but because he really doesn't know. “I do love these two days. I'm just in the range of the trailer due to my performance format.” “I'm glad I'm standing on the purple carpet and never worry about giving something.”
“Incredible 4” director Matt Shakman worked with Gatiss' “A Superb Day” on “Entertainment of Power” in advance and was a longtime fan. “After I wanted to search for the retro future 60s 'incredible 4' world of Ed Sullivan, I just knew the name of that name,” Shakman said excitedly. “It's great to see Mark again, and he's great in the movie. Besides being an amazing person, he's also a total creator and performer. I'm in awe of his expertise and have hoped we can do a task together.”
That's not to say he took the position lightly – Gettys learned a lot of archival TV from time intervals to get the texture and rhythm of the “jetsons” cosmic-like characters. He always cherishes costumes and wigs to search for the characters – once again assuming the ridiculous tight purple shorts he wore on the “League” that depicts the monotonous cave information Mick McNamara (which is indeed the suggestion of Edgar Wright). “It's really about dressing up, isn't it?” he pointed out. “I love the part of the disguise, and the way it makes you feel like another person. I already have a bunch of meetings and teeth that actually help me discover myself – and it's useful on Halloween.”
It premieres on July 16 at U&Alibi and can premiere on PBS on the states later in the United States.
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