Films from films that have suffered from battles and different hardships around the world dominate the independent run of the Venetian film contest, Giornate Degli Autori, can be opened with the “Rebiniscence” of the autobiographical documentary “Rebibionical” by Ukrainian-born director Vladlena Sandu, which has led her to revisit her childhood memories of war-torn-torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn torn.
Giornate's competitors (often known as the Venetian era) include 10 world premieres, none of which are in English. They have hail with international locations in Iran, Kenya, Lithuania, Bosnia and Herzegovina, Mexico, Spain, Greece and Italy.
Choosing another filmmaker, German-based Russian filmmaker Nastia Korkia, reshapes the Chechen War in “Summer Quick Summer”, the story of eight-year-old Katya travels with her grandparents simply because the battle in Chechen broke out.
“In most of the titles chosen, the goal is to live, build life, relationships. [in order to] Fill within the distance of the birth of the exile.
In addition, during the Venetian era, the first feature of Spanish director Gabriel Azorín “I conquered the metropolis of Thebes on the last night”, which spanned Rome and fashion occasions for “two young men of the twenty first century and two Roman soldiers from the first century.”
Zurich-born Kenyan filmmaker Damien Hauser (“Long Rain”) is a dystopian allegory of “recalling the Princess of Mumbai” in 2093 among a contender in an imaginary Africa. The protagonist is a young filmmaker who makes a documentary about the world battle documentary that exploded twenty years ago.
There are two works competing from Iran: “Previous Future Steady,” a brand new documentary co-directed by Firouzeh Khosrovani (“Radiograph of a Household”) and Morteza Ahmadvand a couple of lady who has fled Iran after the Islamic Revolution and may solely observe her kin on the safety cameras put in of their house in Tehran; Amir), this is a love letter to the town of Tehran.
Different Outstanding Championship titles include Italian director Nicolangelo Gelormini's “La Gioia” (pictured above), starring Valeria Golino and Jasmine Trinca. Gelormini's second feature is Paolo Sorrentino's assistant and director of the TV show “The Pleasure of Pleasure”, performed at the Cannes Film Festival in the last 12 months of the Cannes Film Festival, and is a turbulent teacher-the true story of a student's romantic relationship. The title of the movie interprets it as “pleasure.”
Norwegian director Dag Johan Haugerud is the winner of the 12-month Golden Bear and will preside over the jury.
The famous title of competitor’s different appearance embraces the French documentary director Claire Simon’s Life in Writing, a portrait of Nobel Prize-winning novelist Annie Ernaux through the way French high school students read.
Joanna Hogg and Alice Diop’s shorts will be part of the story of Ms. Miu Miu commissioned by Prada, a series of short films directed by women.
The Twenty Second Edition of Venice Day will be held from August 27 to September. 6, with the official Venetian movie competition selection. See the full lineup below.
In competition
“On the last night, I conquered the metropolis of Thebes,” Gabriel Azorín
“Arkoudotrypa” (“Bearcave”), Stergios Dinopoulos, Krysianna B. Papadakis
“Daroon-e Amir” (“Inside Amir”), Amir Azizi
“Joy,” Nicolangelo Gelormini
“Memories,” Vladlena Sanda – Opening movie
“Musics of the Princess of Mumbai,” Damien Hauser
“The future is stable before,” Motza Ahmedwande, Fruit Hosrovani
“An unhappy and amazing world,” Cyril Aris
“Summer is fast”, Nastiagao
“Vanilla,” Mayra Hermosillo
Exit the competition
“Come to ti muovi, sbagli” (“If you do, damn, if you don't, damn”), Gianni di Gregorio
Special Events
“Do you love me?” Lana Daher
“Writing Life – Annie Ernaux
“I need her to be useless,” Gianluca Matarrese
“Laguna,” Sharon Barth
“Nevertheless, who is still alive.” Nicholas Vadimov
Women's Story Project (Shorts), working with Prada's Miu Miu tag
“The Autobiography of the Handbag” (“purso's Autobiography”), Joanna Hogg
“Fragments of Venus”, Alice Diop
