Chinese writer director Vivian Qu flies too much in many of the world's most male-dominated film industries, following up on her highly acclaimed 2017 TV series Angel, Berlin's competitive “Women on the Wire”. In response to an uneasy gathering between two estranged cousins, they grouped years of drug abuse and debt cycles, which have been delaying the family for years, are bold, ethical films for mainstream Chinese audiences, and therefore, forgiveness hammer The genre of people who perform and manipulate melodrama seems to be totally real, which is set out from the movies of Clint Eastwood and Taylor Perry.
The film attempts to manipulate the audience in an attractive old style, using flashbacks to recall the memories between the adorable pie kiddos fang di and tian tian – they actually grew up like Chiron’s sisters – Make sure they face the adversity they face, as adults produce expected tears. In the same time, novelty can be set up today's Mesropolis as a huge manufacturing plant. Doing so not only brings audiences into filmmaking classes, but when Fang Di's action movie coach prepares her for “night daytime” in “stars”, it's a clever behind-the-scenes feeling, “night daytime”. Real thriller.
The film actually films Tian Tian (Liu Haocun), who was imprisoned, overwhelmed and infused with heroin, because it wasn't revealed until a lot of later in the film. The reason. Unfortunately, strangers kill her kidnapper in the process. (If that was the way Anita had handled the previous “crime”, then we don’t need to see the gangsters catch her again and act against her.) Even though she hasn’t seen her cousin for almost five years , Amanda now turns to her, hoping Fangdi can help her solve the problem – realizing that she has exposed her surrogate SIS to obvious danger in the process.
Fang di has spent the entire skilled career to pay the owed family money, every factory-run mother (Peng Jing) and Tian Tian’s drug-addicted dad (Zhou You) are in the metropolis of ChongQing, CopyCat Vogue and first-class Hotpot again produce. . What any viewer needs for these young ladies is to see them liberated from their parents’ monetary burdens, but the cousins are cleared out of the chaos of the early era. In this way, they can have their own trends.
Tian Tian’s troubles are first blurred with fantastic skills when she arrives at the suburbs of the movie metropolis that covers her personal blood, while a Wuxia movie further asks: “Have you done personal makeup?” by Aizhi The turning point, no male screenwriter would have thought of, Amanda found her cousin (Tanye who ordered tampons) and watched Fang Di step on the training of martial arts stunts, which is unreliable for male duality. After picking it up, she fell into the cold water and stirred through the air on the wire.
Fang Di was severely bruised at her job, but hid the accident so that she could not be fired or considered “hard” – the type of element simply acknowledges how harmful her job actually is (but, Qu decided to be in the cold The climax scenes on the coast seem inappropriate). As Tian Tian moved forward, Fang di seemed cautious to see her and withdraw money from the ATM, which was quickly snatched away by the debt collector. Cash is the ongoing pressure in the movie – a prop that can be thrown away on Tian Tian's father waiting for the water ch while shouting questions like “Accept you are passionate about!”
The unusual factor about Qu scripts is that her story is powerful, anchored by two fascinating characters and set in evocative places, but many of the scenes are written frankly. Her conversation is so heavy that it is a miracle that the actors can get through it. “My father is trash. So do I.” Amanta tells her cousin in a line designed to arouse sympathy, although the rolling seems to be extra.
In another scene, Amanda wanders in the movie set, while Fang Di offers dramatic auditions for clichés and cliches how she donates her own personal bone marrow to save a lot of families. When a colleague told her that efficiency was actually “too good”, he stressed that the scene apparently took something private from her previous one. Don't be fooled. The performance in “Women on Wire” is not too good (in a very humorous sequence, unhealthy performances will get huge snots when all three gangster roaming movies are selected as Extras). Still, it can do the job, bringing the melodrama ahead of time.
When Qu actually needs to pull our relationship, she flashes to her cousin again like a little lady. Despite all, who can resist the tragedy of a child who is forced to endure what young Amanda does? Her life ruined her life earlier than her father's habits and plans. These are the metaphorical lines that maintain her, while the invisible cables carry her cousin 20 years later. In Chinese, the movie is titled “Women Want to Fly”. Their lives are heavy, but maybe, Qu can release them through the magic of the movie.
