It's very hard not to take root for Rose McIver. The star of CBS's “Ghosts” – You'll probably also remember her Season 5, which activates CW's “Izombie” – was excited when I met her at the espresso shop/bar Little Ripper in the Glassell Park neighborhood in Los Angeles. It is owned by an Australian couple, so I wonder if I offend the proud New Zealanders by bringing her into the enemy's territory. However, the opposite is true.
“The second time, like the United States, there are too many cultural crossovers between Australia and New Zealand, you simply draw each other in the direction of each other,” she told me. “I'm right here at Little Ripper, I'm not carrying the New Zealand flag, but I'm OK! My husband's Australian, so it's going to take us a long time to drive the Peace Treaty.” (If Little Ripper's voice met, I sat there for the last 12 months, with McIver's friends Patrick Brammall and Harriet Dyer, the celebrity and creator of “Colin from Account”.
McIver carved a pretty nice corner that never was in this cafe. For beginners, “Ghost” has renewed for two seasons: “I can't think about it. I'm so gifted, often-working companions who just try to find a job. It's a long time. It's a long time and never missed how lucky I was.”
On “Ghost”, it is mainly based on U.Okay. The same recognized comedy, McIver and Utkarsh Ambudkar Pay Samantha and Jay are a young couple who inherit a deteriorating mansion and live in a variety of eccentric spirits. Through the accident, Sam can see and talk to the ghosts – but it's a laughing comedy, with only a weird comedy.
“iZombie” has also reached a balance, and the laughter ratio is quite good. When I dig out some vegetarian toast (which is the concept of my breakfast order stereotype), McIver explains how she actually found her happy place while starring in the comedy. “My drama went up,” she said. “But once I thought about the authenticity of some heavy, tough thriller filming 22 episodes, it was such a powerful concept for me, rather than working and laughing every day.
During these 12 months, McIver stepped on Digicam on the Ghosts numbers, her first directing a TV show. “The guide me to get my appeal, it just falls into one thing that already exists, is the gun of rent, and the ability to see imaginative and prescient performers looking for and actually serving their imagination and prescient feelings,” she said. “I feel like there are some episodes of TV administrators who are angry at the lack of the ability to put their own stamps on the issue. I thought, 'No, I like it.
McIver separates her time, with a gallery in Montreal, Los Angeles’ residence base, her home country of New Zealand and France, her artist husband. “It's the load on the rotating disc,” she said.
Also, this is not straightforward with the little daughter, but it is the rationality of successful TV works, which is useful. “That's why I'm attracted to it very well. Just trying to find some huge and messy operations in sequence, whether I'm showing up or guiding, setting up a large, unruly beast, which seems impossible.
In the hard work of TV manufacturing, McPher finds one thing refreshing to be happy. Or, in her rare spare time, how she found a relaxed passion in traditional gardening and sewing art. She has even been making sure to spend a second soaking the world of children's personal smart eyes.
“My husband walked up to me on the opposite day and was like, 'Have you ever really checked the crimson onion? I just stayed with my daughter for 45 minutes
This is the little joy in life, like grabbing espresso with a New Zealander like Rose McIver at an espresso shop in Australia. You will cheer for her.
