“Boy”'s summer is lifeless – the long residence “Joachim Trier Summer”, announced by Elle Fanning and her t-shirt playing at the Cannes Film Festival.
“After three years of work, I want to have one Three years old Summer season.
Starring Renate Reinsve – Reunion with Trier after “The Worst Man in the World” – Stellan Skarsgård, Inga Ibsdotter Lilleaas and Fanning reunite with Trier, premiered with the assessment. But it doesn't, like another Palme d' or competitor, it properly touches the audience.
“I'm grateful, a little exhausted, but most importantly, I had a feeling yesterday that I used to have a proper acquisition and that I used to be in a room full of love. It's an emotional private cinema,” he told choose.
In the film, the Nora sisters (Reinsve) and Agnes (Lilleaas) have to say goodbye to their late mom – and a wonderful day for their absent father, Gustav, who is working hard to get the new traits out of the bottom. However, he recently wrote a script about his personal mother who committed suicide as a child. And hope that the newly-known Nora will lead.
He said that despite his words about some companions, Trier “really not like Gustav.”
“I started from the attitude of my sisters and Then I tried to make Madame Gusta humane. He came from a completely different era. He was part of the “80s” of cinemas in the 90s. But you are right: maybe my anxiety about going back to the end of my career in director? ”
He offers: “That's why I like Westerners: So a lot of people are about the end of a period. It's just the way to go. Many people in that era are slowly getting out of our trade, and at some point, it's going to be my flip.”
It was earlier than he wandered in the “Searchers” like John Wayne, a blessing for Trier, the main trio talking about “sensual values” and the trio, who in turn were in their outdated homes and dealt with outdated secrets and tricks, and Gustav's mom's ex.
“The hardest half was to know the previous trauma of World War II from my family. It made it a little more political or historical perspective than I was in a few different films. I grew up with a grandfather who was in the resistance movement and was greatly hurt: he was caught and fell into a painful situation. Communication.”
Trier “needs to discover how inherited grief passes through the family at home.” Working with ordinary co-author Eskil Vogt, it’s easier.
“There is also the concept of this humanistic film. Although the world has now properly illustrated the opponent, I can't be an enemy as an enemy. It's not something I'm curious about. I'm considering understanding the complexity of people because people are suffering and disappointed with each other. I believe it's a director. I'm like a director, I'm a person, I'm a person, I'm a person, if I'm a person, I'm a person. Discover this type of “emotion”, fuck.
Gustav avoids feelings, which makes the daughters difficult problems. However, it is no less than writing scripts.
“That's the core of the story: that's all he can do. At first, we predicted that he was a jerk. We predicted that he was trying to profit from Nora's reputation. I'm summing up a few generalizations, but Gustav Borg and the different men of his time did not enhance his emotions, gentle language,” he said.
“I received a request for gender perspectives about the characters. I hope these characters will be myself as correctly as I do. They don't seem to be them afterwards. I do know Renate, so she will be able to make some suggestions again. But why would it be easier to write down a Gustav that is much older than me than a girl who is closer to me in my age?” he wondered.
“I, I used to be [allowed to cry]. I used to skateboarding and we did talk about a lot of feelings, but we were also very strong. I broke my legs and arms, which is not always when you cry. It revolves around this shameful, but the person who denies feelings makes people feel terrible. ”
He is the third generation filmmaker and he has a digital delicacy in his palm all his life. “It’s easier for me than writing or doing anything.” However, despite Gustav hiring our star (Fanning) to do well in his English-language films, Trier loves his personal way of working.
“Once I grew up, everyone was in music. I used to be a mean drummer and kicked out of the punk band I used to be. But I'm a filmmaker now and I'm trying to have the same band.”
“This kind of deal is so big. I love experimenting, I like mainstream, but I would say: maybe we can do one thing in between? It's a huge query: Are you able to keep staying home and succeed, and now I'm going through my dreams, I'm going through my dreams, which is a neighborhood band that sounds a bit at home globally.
Actually, it actually feels like it's for the right reason. We have neon lights in the US and they usually do incredible work, but what is Hollywood at the moment, actually, is it? I love the fact that we watched movies with Tom Cruise, I see “Mission: I can't imagine,” but I'm absolutely unwilling to be part of it, I don't know that part of me is a system.
He acknowledged that he did not regard it as a right.
“Every movie, I’m behind my head this little devil telling me it’s the last one.
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