The workday plan for the Karlovy Differ Movile film, which took place from July 6 to 9, has been remodeled and has been longer than in previous years.
The system may focus on co-production in China and Europe, and the JAP guarantees the platform has been replaced. Additionally, it expands its scope by focusing specifically on small screens and collecting growth new shows and occasions. The pageant has launched a pop-up sequence incubator that includes 5 unique European series.
Kryštof Mucha, manager director of Karlovy, said: “We imagine that now we have a singular alternative to strengthen our position, as the main trading occasions are dedicated to Central Europe, the region also includes art dynamics such as Poland, Germany, Germany and Austria, and deal with global considerations.
“Our aim is to provide a central hub for producers, filmmakers, broadcasters and platforms in Central Europe, as well as world trade professionals who want to interact carefully with this vibrant region.
“Recognizing that the storytelling cross-borders throughout the medium continue to rise, our expanded weekdays now have the ability to fully embrace this evolution and the ability to be imaginative and prescient.”
China and Europe enter the central stage
Essentially, the most important innovation is a completely new format dedicated to presenting the film mission in production. Earlier works may be changed through “extra dynamics” and the European-centric central stage, developed by the pageant’s film trade workplace in collaboration with the nationwide film trade workplace, with Austria, Czech Rep. , Germany, Hungary, Poland, Slovakia, Slovakia and Ukrainians cooperate.
It will showcase 13 novel movies from mature filmmakers from these countries, which were later produced or later in the production of the film. As a replacement for traditional tones, these tasks may be initiated through interactive conversations, specializing in filmmakers and co-produced panoramic panoramas.
Hugo Rosák of Karlovy's different trade workplaces said: “We chose this new format because it addresses a practical loophole in the panorama of the Central European film. For the rise filmmakers throughout Jap Europe, mid-sized filmmakers lack the funds needed to raise money, and although their mission is fair, excellent financing is lacking in the entire mid-sized filmmakers.”
The central stage display will take place on July 8.
Small display, ambitious
Another key growth in this 12-month trade plan is past feature films, designed to adopt small screen content materials, through a new partnership with China-Europe media companies, potential. There may be a dedicated occasion plan, including presentations, panels, seminars and presentations from major small screen gamers and experts, which may be held on July 8 and 9.
Rosák said: “With the support of CME, the pageant can now fully notice its potential as a primary gathering venue and display platform and demonstrate the platform for small screen content materials throughout Central and JAP Europe. A small amount competing with current professional occasions, this program leverages Karlovy’s unique advantages on the world’s unique advantages on the world and on the global scale and interface and communication settings and on the growing scale and interface settings and on the global scale, forming the action and communication settings and forming the television and communication settings.
Pop-up sequence incubator
A big part of the new small screen focus is the pop-up sequence incubator display cabinet on July 8, a brand new collection growth program designed to help European producers and screenwriters with hands-on growth, knowledgeable coaching and monetary assists.
The eight-month show is organized by Tatino Films. It appeared together at a pitching conference in Karlovy, where art groups will present their collection ideas to trade professionals and decision makers, which are adopted by the planning period of collaborative periods with professionals looking to fund or production collections.
Matthieu Darras, CEO of Tatino Films, said: “The impulse to create a pop-up sequence incubator comes from our statements and assessments of the rapid development of European audio-visual panoramas, in addition to our numerous exchanges with Tatino applications, the popularity of spiritual attributes is iverigation to auti to auti to auti of the auti of the auti of the auti of the auti of literature, audio-visual works, and even real stories.
“This 'IP adaptation entertainment' is usually reserved for large gamers, but pop-up sequences hope to create alternatives for audiovisual capabilities that are essentially not in the orbit of the global behemoth, similar to Banijay, Freemantle, or Mediawan, to adapt to their own iPs instemploess intern of the Inders Inders Inders Inder-Image Inder-Image Inder-extruc collection. Thus providing a wide audience with the latest and important stories.”
The different selected tasks that may be displayed in Karlovy are:
“Angemaker” (Romania)
Producer: Anda ionescu, manufactures Tangaj
Author: Cristina Grosan
The true story of the angel manufacturer based primarily on Nagyrév
Among the screenwriters, Leana Jalukse and Loïc Barrère
“Superhero's Porn Life” (France)
Producer: Eric Dupont, Invisible Movie
Mainly based on Marco Mancassola's Italian novel “The Porn Life of Superuomini”
In the screenwriter, Nadya Todorova and Ruddy-Williams Kabuiku
“Night of Beguines” (France)
Producer: Candice Zaccagnino, Eliane Antoinette
Author: David Roux
The French novel “La Nuit des Béguines” based mainly on Aline Kiner
Accompanied by screenwriter Yaelle Kayam
“Three Funerals of Elma” (Greece)
Producer: Fenia Cossovitsa, blonde
Author: Elina Psykou
The Greek novel “Alfatride” (Iatrodikastis) based mainly on Vassilis Vassilikos
Accompanied by screenwriter Lemba de Miranda
“Treatment” (Lithuania)
Producer: DagnėVildžiūnaitė, only one second
Author: BirutėKapustinskaitė
Mainly based on Lithuanian writer BirutėKapustinskaitė
Accompanied by screenwriters Fabrizio Muscia and Ruxandra Ghitescu
Growth Work – Feature Launch and Focus Queer, Compete for the European Imaging Joint Production Growth Award
One of the many KVIFF JAPs in the Growth Global Growth Script Growth Plan guarantees one of the staple foods, which will showcase nine lengths of tasks, five of which are in Growth, five of which are developed within Midpoint – a program that supports filmmakers that support filmmakers exploring queer narratives, emphasizing the meaning and inclusion of modern storytelling.
These missions are now in search of co-production companions, in addition to winning the Euromages Co-production Growth Award of 20,000 euros, will also compete for the 10,000 euros midpoint and the KVIFF Growth Award. The performance will be held on July 7.
KVIFF Skills
KVIFF Skills is now in its third edition, a one-year program designed to search and support talented Czech and Slovak filmmakers as well as modern audiovisual genres. The focus of the art pool is to find out the modern concept of audio-visual works in any style or format – from quick movies and collections to podcasts or sports ideas. However, this feature pool is dedicated to supporting unique Auteur-driven novel movies.
In these 12 months, nearly 200 submissions have been obtained. Six missions have been selected – three collections and three feature movies. They will receive growth funding through Karlovy's film pageant, guidance from trade experts and opportunities to master their missions to potential producers, peers and businessmen. The arts group will push its mission toward potential manufacturing companions on July 7 in the faithful KVIFF skills showcase.
Further assistance includes opportunities for Karlovy to live, and there are different tailor-made help.
KVIFF Skills – Selected Plan
Feature Pool:
“Anonymous” (Czech Republic)
Feature debuts, combining stay-attack action and stop-motion animation
Animator and Director: Daria Kashcheeva
Producer:
“Spirit Moose” (Czech Republic, Slovakia)
Featured movies – Thriller movies
Director: Tomas Klein
Screenwriter: BarboraNamerová
Producer: Tomáš Michálek, Grasp movie
“Crazy down” (Czech Republic)
The first performance of the novel mainly based on Petršesták
Author and Director: Greta Stocklassa
Producer: Xova Movie Marek Novak
Art Pool:
“Moor” (Czech Republic)
Collection of animations for every child and adult
Animator and Director: Phillip Kastner
Producer: TerezaHavlová
“The wrong boy” (Czech Republic)
Anime collection
Author and Director: Du Ze
Producers: Azn Kru and Nutprodukce
“Remake” (Czech Republic)
Residence Music Collection
Author and Director: Kate Letáková
Producer: Daniel Bleha, film production
Confirmed business occasion anchor expansion plan
In addition to these new and established display cabinets, the extended KVIFF workday will provide a mix of its regular occasions, such as the Czech Film Business Discussion Committee and the Global Business Insight Discussion Committee, the collection during Swift provides a complete overview of each national and global issues.
The system also includes additional in-depth workshops, panels and presentations during the workshop phase, in addition to trade networks and assembly alternatives. The entire workday schedule may be printed later in June.
