Even after winning the Oscar, French producer Marie-Gange Luciani wasn't on the laurels. The Paris-based producer runs the company Les Movies De Pierre, and despite this, he works hard to work with emerging film producers and new immigrants, similar to Laura Wandel, whose second feature, “Adam's Sake,” opened for 12 months of Cannes Critics Week for hot criticism. She also has a relationship with mature Auteurs, similar to Robin Campillo, who won Cannes' 2017 Jury Award and won two weeks of “Enzo” for “BPM (beats per minute)” with his close close friend Laurent Cantet, Palme D or Palme Dobalitale D or Proficalitale Abletitale or Proficalitale or Proficalitale” or Proficalitale''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
In addition to creating “Autumn Anatomy” that Triet fits in with “Autumn Anatomy” (at least with some major stars), Luciani wants to move forward in the busy 2026 2026.
She will then work with Cannes Award director Alain Guiraudie. Guiraudie is adapting Robert Merle's “L'Ile”, a journey novel that is impressed by the true story of the 1789 HMS Bounty Rebel.
“This guide came in the seventies and seventies, and it was a huge hit. It was a fictional description of the true story of the Polynesian bounty rebels,” Luciani said.
“It could be a journey movie, which is probably Guiraudie's most outstanding cause, and again, his most political is one of his most political parts,” Luciani continued. “It's a narrative about land allocation, the way we can build democracy collectively, so it will resonate well.”
Guiraudie's last film, Miséricorde, was premiered in Cannes in 2024 and was shortlisted by the French Oscar Council.
Luciani can work with Canadian producer Nancy Grant to offer the subsequent films of Monia Chokri, which could mark the first film of the cast-turned-director film made in France, with a community forging.
Chokri performed in Cannes' affirmative respect and won the Cesar Award and won the 2024 Christopher Nolan's “oppenheimer” and defeated Christopher Nolan's “oppenheimer” in 2024. Chokri at the Cannes Film Festival. Tendering” undoubtedly.
Luciani may be related to nonfiction. She is working with Envie detempeite Prods. In the documentary function directed by Jean-Gabriel Pereot, involving the life of Michèle Firk, a pioneering French journalist, film critic and anti-colonial activist who raised justice in the sixties and sixties.
Luciani said Firk wanted to become a filmmaker at the time because she was a girl who “don't allow her to achieve her dreams.” So she joined the army and then headed to South America, “feeled so politically that she committed suicide at the age of 30 because police were about to arrest her and she or the message he didn't want to torture,” Luciani said. The documentary was made for Arte, which is based primarily on Firk's private diary and can be the same as Periot's earlier documentary “Fragments.” It may be about two famous French actors.
Finally, Luciani teamed up with Hélène Rosselet-Ruiz to debut in “Le Triangle d'Or” and could play Mallory Wanecque (“Beating Hearts”). The film is impressed by Rosselet-Ruiz's life, which will span the unlikely bond between a young clean woman and the Saudi lady who works in the 16th ardissement in Paris.
“Film producer Helene also worked hard for the research that Ms. Saudi Arabia put in La Fémis,” Luciani said. “It's actually a delicate story that actually shows the female condition, among a young clean woman trapped in her very unstable social situation, and the Saudi lady participated in a free movement because of her wealth, but her culture is trapped in the cultural context of her country, which makes her unable to truly be free.” The business has attracted Prime Companions, as well as MK2 films and Vitam commercials, sold globally and released in France, respectively.
Luciani said she loves keeping her production feature debut even though funding them is a “long-distance race”. It makes me assume we don’t have simple work, but it’s important that I have to assist these young men or women so that I can see the problem from a contemporary perspective and feel how they view the world.
Luciani said that since she wanted to “have a certain amount of expertise,” she tried to maintain one of her tasks with manageable measurements.
“I need to be able to invest in the movie. My manufacturing method is to stay close to the administrators I work with and have a certain amount of freedom, which is due to the additional benefits you generate, the additional organizations you develop and the additional organizations you have to generate to sustain the development of the organization and the workers,” Luciani's Luciani's banner has 5 individuals.
She said Les De Pierre has picked the rhythm over the past three years, taking photos of two movies every 12 months.
