On the weekend, only President Trump marched in Washington, D.C. on June 14, the third annual DC/DOX parade. The four-day documentary The Film Contest began on June 12 and highlighted the films that found some of the most pressing views in the United States, as well as college shootings, e-books banned focus on race and LGBTQIA+ points, attacks on freedom of speech, and the nation’s income and wealth divisions.
Director Anayansi Prado is with “Uvalde Mother” at DC/DOX, a featured document involving 2022 Mass College capturing a small city that rocked Uvalde, Texas and making 19 kids and two lecturers useless. Prado said it felt important to show her film in Washington, D.C. through the Navy Parade.
“There are a lot of movies here that are addressing social justice and world perspectives that are actually crucial, so I believe this game is going down on the day of the Navy parade, which is actually important and fascinating,” Prado said. “The fact is that we are here as a community of documentary producers and I look at it as if we were in the holding area, it’s an act of resistance.”
In 2022, Sky Sitney and Jamie Shor bring a collective modern vision, bold voice and timed story in Washington, D.C. in 2022, and the 2025 edition of DC/DOX includes 59 options and 35 shorts from more than two international locations.
Many popular documents from Sundance in 2025 have become part of this 12-month DC/DOX lineup, along with Geeta Gandbhir’s “Excellent Neighbor”, Oscar-Winner Mstyslav Chernov (Oscar-Winner Mstyslav Chernov (Andriivka’s “2000m)”, see me in good gentleness,” Heidi Ewing and Rachel Grady’s “Folkstories.”
As the crowds gathered around the United States to attend a “King-free” rally protesting the Trump administration, POV, which runs PBS, and Erika Dilday, the United States, introduced the current information that the House of Representatives accepted the law to eliminate the subsequent two years of PBS federal funding.
“We won't go anywhere,” Deerge said in a June 14 business group conversation. “We're going to fight.”
One of the controversial documents is one who returned from Sundance in 2025 – Bao Nguyen's The Stringer – made its debut on DC/DOX on June 15. It's a completely second festival and since its debut on Park Metropolis, “The Stringer” has been screened on “Stringer”.
The film claims that Nick Ut was a related photographer who won the Pulitzer Prize for photographing photos of the 1972 conflict in Vietnam, often referred to as “Ms. Napalm” and was not the creator of the photo. As a replacement, the doctor claimed that Nguyen Thanh Nghe was a NBC freelancer and driver who really captured the photo and was rejected for many years.
Nguyen and investigators of VII Foundation founding father led by Gary Knight, as well as producers Fiona Turner and Terri Lichstein, interviewed 55 people with NGHE and former AP photography editor Carl Robinson, who claimed he was forced by his boss to change his credit score. In addition, they obtained forensic proof, similar to the photographs and photos taken, and commissioned 3D modeling to try to prove that UT is not ready to take pictures that made him famous all over the world.
The counterattack was fierce after the “Ringer” premiered by Sundance. “The defamation motion will be brought to the filmmaker soon,” UT's attorney James Hornstein pointed out in an email. Nguyen, who had screened “Stringer” on DC, said that the lawsuit by {A} AP will never surface. The director added that he was “slightly shocked” at the counterattack.
“We know that this story can ruin many reasons in the photojournalists and the news community, and that’s a complete one,” Nguyen said. My statement, however, is because of the Sundance premiere film because inquiry query can put individuals in some ways. I imagine that one of the many principles of journalism is asking questions and pursuing the definitive function of dialogue and dialogue. The function of determining the conversation and conversation, this is my requirement of whether they need to reply whether they need to reply whether they need to question whether they need to question, whether it needs to question, whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and whether it needs to question, and that is what I hear. ”
After a long investigation, World Media Photo suspended UT's credit score. In the same month, the Associated Press decided not to change the credit score of the well-known {photogra}.
DC/DOX will end on June 15.
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